The forest is also a symbolic place where witches gather, souls are signed away to the devil, and Dimmesdale can “yield himself with deliberate choice . . . to what he knew was deadly sin.” In these instances, the forest is a symbol of the world of darkness and evil. Mistress Hibbins knows on sight those who would wander “in the forest” or, in other words, secretly do Satan’s work. When Dimmesdale leaves the forest with his escape plan in mind, he is tempted to sin on numerous occasions during his journey back to the village. The forest, then, is a symbol of man’s temptation.
Every chapter in The Scarlet Letter has symbols displayed through characterization, setting, colors, and light. Perhaps the most dramatic chapters using these techniques are the chapters comprising the three scaffold scenes and the meeting in the forest between Hester and Dimmesdale. Hawthorne’s ability to introduce these symbols and change them through the context of his story is but one of the reasons The Scarlet Letter is considered his masterpiece and a peerless example of the romance novel.
