Light and darkness, sunshine and shadows, noon and midnight, are all manifestations of the same images. Likewise, colors — such as red, gray, and black — play a role in the symbolic nature of the background and scenery. But, similar to the characters, the context determines what role the light or colors play. The Scarlet Letter’s first chapter ends with an admonition to “relieve the darkening close of a tale of human frailty and sorrow” with “some sweet moral blossom.” These opposites are found throughout the novel and often set the tone and define which side of good and evil envelop the characters.
In Chapter 16, Hester and Dimmesdale meet in the forest with a “gray expanse of cloud” and a narrow path hemmed in by the black and dense forest. The feelings of the lovers, weighed down by guilt, are reflected in the darkness of nature. Every so often, sunshine flickers on the setting. But Pearl reminds her mother that the sun will not shine on the sinful Hester; it does shine, however, when Hester passionately lets down her hair. The sun is the symbol of untroubled, guilt-free happiness, or perhaps the approval of God and nature. It also seems to be, at times, the light of truth and grace.
