Ayn Rand was born Alissa Rosenbaum in 1905 in St. Petersburg, Russia. Rand was raised in an upper-middle-class, European-oriented family, in the midst of the mysticism and nationalism of Russia. Having taught herself to read, Rand, at the age of 8, became captivated by the heroism in a French-language serial adventure entitled The Mysterious Valley. At the age of 9, Rand decided to become a writer, inspired especially by Victor Hugo’s novels. Hugo’s writing helped arm her against the fatalistic view of life that dominated Russia, a country she later described as “an accidental cesspool of civilization.”
Education and Early Life
In February of 1917, Ayn Rand witnessed the first shots of the Russian Revolution, and later that year she witnessed the Bolshevik Revolution as well. In order to escape the fighting, her family went to the Crimea, where Rand finished high school. The final Communist victory brought the confiscation of her father’s pharmacy and periods of near-starvation. When introduced to American history in her last year of high school, Rand immediately took America as her model of what a nation of free men could be. Her love for the West—especially America—was fueled by Viennese operettas and American and German films, which the Soviets temporarily allowed to be shown.
When Rand and her family returned from the Crimea, she entered the University of Petrograd to study philosophy and history, graduating in 1924. She entered the State Institute for Cinema Arts in 1924 to study screenwriting. During this period, Rand produced her first formal writings, essays about Hollywood, published in 1999 by The Ayn Rand Institute Press as Russian Writings on Hollywood.
Immigration to the United States
In late 1925, Ayn Rand obtained permission to leave the Soviet Union to visit relatives in the United States, on the pretext of learning the American film business. After six months with relatives in Chicago, she moved to Hollywood to pursue a career as a screenwriter. On her second day there, she had a chance meeting with her favorite American director, Cecil B. DeMille, who took her to the set of his epic film The King of Kings and gave her a job, first as an extra, then as a script reader. During the next week at the studio, she met an actor, Frank O’Connor, whom she married in 1929; they were married until his death 50 years later.
